Depth, Discipline, and No Excuses: Michigan’s Road to Glory Continues
Paul Riverbank, 12/14/2025Michigan’s depth outlasts Maryland's early surge; elsewhere, one hot hand keeps Vanderbilt afloat.
It’s a frigid night in College Park—one of those evenings where you half expect the crowd to tilt the floor, to drown the favorite’s composure in noise and sudden momentum. Michigan, ranked second in the nation, walks out clenching its jaw. The game that follows isn’t a breeze; far from it. For much of the first half, Maryland plays as if it might just upend the script.
Yaxel Lendeborg isn’t interested in narratives—he mostly writes his own. Nine points down, he begins to carve his way to the rim, answers with a footwork-heavy layup, skips a pass to the corner for a three, then hauls down a rebound through a tangle of arms. The stat sheet buries the lede—29 points, nine assists, eight boards—but if you were there, you noticed how he took possession of the tempo once Pharrel Payne, Maryland’s torchbearer, limped out before the break.
If anything, the gym felt on edge until Payne’s injury capped off a draining first half. Then, there was the incident—Solomon Washington tossed out minutes into the second act, a glancing elbow and a burst of frustration—and the rest of Maryland’s plans seemed to vaporize. Diggy Coit tried to keep the evening volatile. In the opening half, he reigned down three-pointers with almost reckless abandon, logging 22 by halftime and at one point, scoring nine out of the Terrapins’ first ten.
But resilience, or maybe just depth, is a currency Michigan spends liberally. When the game turns, it turns fast. Lendeborg strings together eight straight points—the kind of run that silences all but the most desperate of student sections. Aday Mara, all arms and anticipation, flashes through the lane and dunks Michigan into a lead they won’t give back. When Elliott Cadeau weaves through defenders for a late layup, there’s a sense of the inevitable: Michigan cracks three figures for the fourth time in five games, still perfect on the year.
Vanderbilt’s evening unfolds at a different pace. The gym is less volatile; the start is worse. It takes little more than a few possessions against Central Arkansas to realize: tonight, someone in black and gold will need to rescue their offense. Enter Tyler Nickel—confidence built through repetition, winter mornings in empty gyms. Before most fans have settled in, Nickel finds his rhythm: a trio of threes before the first timeout, then a slashing layup. He doesn’t let up. By halftime, he’s poured in 17, on his way to a headline-grabbing 30. His teammates struggle for consistency, their shooting percentage barely climbing out of the low forties. Nickel doesn’t blink.
Postgame, his coach shrugs, equal parts relief and candor: “If Tyler Nickel does not have a big night, you know, this game could have been crazy.” The statistics support that suspicion. Vanderbilt moves on—barely. Nickel, meanwhile, attributes the performance to nothing magical, just habit and hard-won confidence. “Consistency of my work. Just over time, reps and reps add up,” he says. A player’s mantra, stripped of drama, but truer for it.
Across the country, nights like this pile up through the college hoops season. Some teams get away with depth, others survive by a single incandescent performance. Michigan, on a night they looked vulnerable, played like a team built for March; Maryland lost its pulse once Payne and Washington left the stage. For Vanderbilt, it’s one man’s shooting streak standing between them and a loss that would have haunted the locker room for weeks.
If there’s a lesson, it’s not hiding in the postgame quotes, or even in the final score. Basketball, in its rawest form, offers opportunities for mayhem and redemption in a single half’s span. Depth wins over weeks, but sometimes, for one night, it’s just about the guy who refuses to cool off or the team that knows how to chase a deficit without panicking. Those who watch closely—really watch—know: nothing shapes a season like moments when the script teeters and someone, somehow, closes the show.