Utah Judge Shuts Down Cameras: Is Justice Being Hidden From The Public?

Paul Riverbank, 1/17/2026Court bans cameras in high-profile trial, raising tensions over transparency and fair justice in Utah.
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Late afternoon light cut through the courthouse blinds, catching on the metal cuffs around Tyler Robinson’s wrists. At only twenty-two, Robinson looked small next to his attorney—just a young man against a legal machine. The gallery was stiff, everyone aware that this shooting at Utah Valley University was more than another entry on the court’s busy docket.

It wasn’t long into Friday’s hearing that things took an unexpected swerve. Cameras—normally fixtures in cases this big—were suddenly at the center of debate. Judge Tony Graf’s voice carried across the room: no more filming of the defendant, he ordered. The reasoning was practical, the tone firm. Robinson’s team had raised concerns—camera operators hovering too close, maybe close enough to catch a whisper, a quick exchange between client and counsel. Graf seemed to agree, at least for now. "From here on, the camera stays away from Mr. Robinson," he said, gesturing at the pool operator who, a little flustered, hunched over the equipment, trying to obey the shifting line.

Reporters frowned, shifting in their seats, unsure—what would they miss now? But the defense, not content with just the camera issue, had more to get off their chest. Richard Novak, for Robinson, stood, speaking with a sort of cautious aggression. “We’ve been told,” Novak pressed, “that a relative of one of the prosecutors was right there. Not just a bystander, but inside the chaos. Less than a hundred feet.” He almost winced at his own words, knowing the implications—they were heavy: could such a tie possibly sway a prosecutor’s call to seek the death penalty?

Without delay, the prosecution countered. Their answer was flat, unembellished. The family member, just a student, had found herself swept into that terrible moment with hundreds of others. “No special treatment, no personal vendetta,” they said. “We’re following standard procedure—every step.” Normalcy, they insisted. Nothing more.

Judge Graf didn’t signal where he leaned. Instead, he pressed the defense on timing: “Why wasn’t this motion filed earlier?” The question seemed to hang, the room suddenly silent, faintly restless. Novak’s reply came after a pause, “We… referenced it in our reply. Maybe that wasn’t enough.” Around the room, a few heads nodded, as if everyone knew that courtrooms turn as much on procedure as on fact.

Nobody looked much satisfied, and Graf, efficient but not unsympathetic, steered things back toward the finish. “Time is precious here,” he noted. “Let’s use it wisely.” He left the prosecutorial lineup untouched, though the door seemed open—barely—for more evidence, if any emerged later.

People who follow Utah law know what’s at stake in cases like this: aggravated murder, firearm charges, cover-ups. The law’s reach is long and, in Utah, sometimes brutal—execution by firing squad isn’t a relic here.

Charlie Kirk’s widow, Erika, has insisted these proceedings be as transparent as possible. She’s stated, more than once, that openness is the best safeguard against rumors and error. Yet, that’s easier to say than do. Cameras, photos, crowds—it’s all a delicate balance between public faith and actual fairness.

Today, as the hearing wound down, there was no final answer. Just knots: how much should the public see? Can you have openness and justice, at the same time, when emotions are raw and the law is inexorable?

The next step isn’t clear. The case marches on, with public interest refusing to fade. Between privacy and scrutiny, between anguish and law, Utah’s still searching for equilibrium—and the scales don’t steady easily.